Skip to main content

Fela, Validation & Magic

Fela Kuti playing the saxophone
Photo:fahrenheitmagazine.com

 

I once opined that Africans should be careful seeking validation from foreign standard keepers; I argued that we should develop our own high value reward systems instead. I also do remember quite vividly in 2008, during the first ever MTV Africa Music Awards –aka the MAMAs – as Trevor Nelson unveiled Fela as the recipient of the ‘Legend Award’. In his remarks, Trevor had said something along the lines of it practically being a given that this honour for the inaugural edition should go to Fela; arguably the biggest artistic legend to come out of Africa.

I hadn’t given the matter any much thought since then until I came across Seth Godin’s take on Fela’s nomination and possible induction into the Rock and Roll hall of fame. Perhaps because of my disposition, I had not been that excited about the prospect of Fela’s inclusion. Fela was to me and I want to believe for many Africans, the greatest musical legend ever.

Seth argued for greater diversity within organisations and so Fela’s nomination had far more significance for inclusion for many more people globally, for pushing a sound, a style, a voice, a talent that was different from the kind that Iron Maiden and the other nominees had to offer; not diminishing their legacy and art in any way but making the point that the hall of Fame is perhaps opening up to wider influences of change that are just as deserving.

I am still conflicted as to how much such a move has in implications for how we see ourselves and view our own people and art. If Burna Boy had won a Grammy for instance would that have signalled that Nigeria had now arrived the music scene? Would it render him greater than his peers? If Milk Maid wins an Oscar, would that herald a new era of film making in Nigeria?  Such feats are indeed laudable and inspiring but our ambition to produce outstanding work shouldn’t be guided by hopes of foreign validation.  

Fela is an enigmatic, magical genius, his influence and contribution is ‘boundary stretching’ – borrowing Seth’s words – and the Rock and Roll Hall of Fame Honour, just as the MAMAs, would be well-deserved, just as long as it doesn’t define his legacy.

Comments

Popular posts from this blog

African Champion

Image source:punchng.com Stumbling on a news snippet of the most recent interaction between Israel Adesanya and defending UFC middleweight champion, Dricus Du Plessis, at a pre-fight press conference, it cast my mind back to an earlier  take   on identity. Du Plessis became champion by defeating Sean Strickland whom Adesanya had lost the belt to in 2023. Du Plessis has described himself as the first African UFC champion, side stepping Israel Adesanya, Francis Ngannou and Kamaru Usman, other previous UFC champions whom he says are only of African decent. Du Plessis, for explication is caucasian South African while the others mentioned are black with Nigerian and Cameroonian heritages. He backs up his claim with the explaining that not only is he born and raised in Africa but he also trains with his team in Africa and has always lived and still lives in Africa. This is in contrast with the others, Israel Adesanya for instance who fights as a New Zealander in the UFC. The tw...

#OscarsSoAmerican

Photo: Newswhip The Oscar awards are a global entertainment staple, rewarding many great actors and film practitioners over the years. A number of Nigerians were just elected into its voting board. What does this development portend for us as Nigerians and for our movie industry? The idea for the Academy of Motion Picture Arts and Sciences started out as an organization to facilitate smoother working relationships within the American movie industry in the 20s. Curiously, it was to be known as the International Academy but that prefix was dropped by the time the academy was officially incorporated.   In more recent times the awards have been dogged by allegations of being too ‘white’, a fact which the academy itself acknowledged and thereafter pledged an era of greater inclusivity by rendering its voting pool more diverse across not just race but also gender, age and relevance. And so consequently, a number of our own veterans here got drafted into the voting academy, but ...

Identity, misappropriation and choice

Image: Fair observer I recently came across an article on Anthony Ekundayo Lennon, a middle aged Irish Caucasian accused of cultural misappropriation and profiting from passing himself off as a mixed race person. The Guardian article offered me a fresh perspective on his story. He had before now seemed to me to be just another ‘Rachel Dolezal’, who was also white but presented herself as a black person. And if you’re wondering how this is even possible, it actually isn’t that difficult to achieve. I’ve always found this concept of what makes a person black or white to be quite interesting. So, on the one end you have white individuals with white parents and white ancestry as far back as they know, identifying and presenting as black people. Rachel was president of a chapter of the National Association for the Advancement of Colored People (NAACP), one of the most regarded bodies for civil rights in the US for African Americans. You don’t get to such a position by not being black,...